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Mother Country - FYC "Folk Album"

by Dave Crossland

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1.
There was a story in the San Francisco Chronicle that someone remembered to save And it was about a lady who lived in the good old days When a century was born and a century had died And about these good old days the old lady replied Why they were just a lot of people doing the best they could Just a lot of people doing the best they could And then the lady said that they did it pretty up and walking good What ever happened to those faces in the old photographs I mean, the little boys Boys hell they were men Who stood knee deep in the Johnstown mud In the time of that terrible flood And they listened to the water that awful noise Then they put away the dreams that belonged to little boys And the sun is going down for Mister Bouie As he's singing with his class of nineteen-two Oh mother country I do love you Oh mother country I do love you I knew a man named E.A. Stuart spelled S-T-U-A-R-T And he owned some of the finest horses I've ever seen And he had one favorite a champion the old Campaigner And he called her Sweetheart On Parade And she was easily the finest horse that the good Lord ever made But old E.A. Stuart he was going blind And he said before I go I gotta drive her one more time So people came from miles around and they stood around the ring But no one said a word No one said a thing And they're opening the gates back there And here they come E.A. Stuart in the wagon right behind Sitting straight and proud and he's driving her stone blind And would you look at her Oh she never looked finer or went better than today It's E.A. Stuart and the old Campaigner Sweetheart On Parade And the people cheered Why I even saw a grown man break right down and cry And you know it was just a little while later that old E.A. Stuart died And the sun is going down for Mister Bouie As he's singing with his class of nineteen-two Oh mother country I do love you Oh mother country I do love you
2.
Gold 03:14
When the lights go down in the California town And people are in for the evening I jump into my car I throw in my guitar My heart's keeping time with my breathing Driving over Kanan singing to my soul People out there turn the music into gold Oh my buddy Tim Bass is working pumping gas And he makes two fifty for an hour Rhythm in his hands as he's tapping on the cans Sings rock and roll in the shower Driving over Kanan singing to my soul People out there turn the music into gold Oh California girls are the greatest in the world Each one a song in the making Singing out to me I can hear the melody The story is there for the taking Driving over Kanan singing to my soul People out there turn the music into gold Driving over Kanan, singing to my soul People out there turn the music into gold Into gold
3.
I still can remember Pa coming home drunk With the boys from the Union Hall station And it's hard to believe all the words that I read We are living in God's favorite nation And we knew he was ill from the size of his pills And he choked on the preacher's salvation And I know that his blood it still flows in my veins As I fall for each blue-eyed temptation And the razorback woman who stood by his side Is skinny and fixing to die Oh the razorback woman is calling me home And she cries Oh my God how she cries I was only fourteen and my Dad he was mean When his face shined a river of sweat And he started yelling you go straight to hell And you're young and your ears are still wet When all the other young boys were showing off their toys He gave me my first cigarette And I'd like to say that these were the days That my sprung lungs won't ever forget And the razorback woman who stood by his side Is skinny and fixing to die Oh the razorback woman is calling me home And she cries Oh my God how she cries I still can remember Pa coming home drunk With the boys from the Union Hall station
4.
There she calls from her second floor room The end of a back porch afternoon Where we'd stand on the bow of our own man-of-war No longer the back porch any more And we'd sail pulling for China The pirates of Stone County Road Weathered and blown And we'd sail ever in glory Till hungry and tired The pirates of Stone County Road Were turning for home There she calls from her high wicker chair As I climb to my room up the stair Where the wind through the shutters Sends the mainsail to fall From the shadow of the bedpost on the wall And we'd sail pulling for China The pirates of Stone County Road Weathered and blown And we'd sail ever in glory Till hungry and tired The pirates of Stone County Road Were turning for home
5.
I remember America I remember it well When you could walk downtown in the middle of the night Without the smell of fear on your shoulder As you jump at every sound And you never look in the eye of any stranger Who could easily gun you down I remember America I remember every town When crack was the sound that caps would make In the only guns that kids would have around I remember America I remember my friends I remember America And I want to be safe again I remember America I remember the time When rock n' roll was cool and fun and we'd read between the lines I remember America Like you remember the dead When freedom of speech wasn't every four-letter word a sailor never said I remember America And I remember my school Now it's graft and gangs and guards and guns and needles in the pool But I remember America When kids could walk alone Go to the corner for a root beer float and safely make it home I remember America I remember my friends I remember America And I want to be safe again I remember America And I remember my home That any working man would proudly say it was something that he owned I remember America And I remember the day November twenty-second, nineteen sixty-three, When they blew the dreams away I remember America I remember my friends I remember America And I want to be safe again I remember America I remember America I remember America
6.
Kansas 03:26
Time moves like a river You can either sink or swim A wise man learns to forgive her For all she's done to him No one's getting younger But a few aren't getting old It's all in what you feel And not in what you're told But you can't go back to Kansas I was there just yesterday You can't go back to Kansas It just up and blew away Oh but I will go on loving you It's easier that way But you can't go back to Kansas 'Cause that was yesterday See the sun rise and fall Feel the earth beneath my shoes And there's no use in believing That you were born and cursed to lose So why not go on dreaming then Pick anyone you choose There's nothing to be down about You either win or lose But you can't go back to Kansas I was there just yesterday You can't go back to Kansas It just up and blew away Oh but I will go on loving you It's easier that way But you can't go back to Kansas 'Cause that was yesterday
7.
I can't hold it on the road When you're sitting right beside me And I'm drunk out of my mind Merely from the fact that you are here And I have not been known As the Saint of San Joaquin And I'd just as soon right now Pull on over to the side of the road And show you what I mean La da da da da da da La da da da da da da July, you're a woman More than anyone I've ever known And I can't hold my eyes On the white lines out before me When your hand is on my collar And you're talking in my ear And I have been around With a gypsy girl named Shana Daughter of the devil Ain't it strange that I should mention that to you I haven't thought of her in years La da da da da da da La da da da da da da July, you're a woman More than anyone I've ever known I can't hold it on the road When you're sitting right beside me And I'm drunk out of my mind Merely from the fact that you are here And I have not been known As the Saint of San Joaquin And I'd just as soon right now Pull on over to the side of the road And show you what I mean La da da da da da da La da da da da da da July, you're a woman More than anyone I've ever known July, you're a woman More than anyone I've ever known More than anyone I've ever known
8.
Oh it’s time to tell the children That it’s not about the war It’s not about the winning It’s not about the score It’s time to tell the children It’s not about the rings We put upon the fingers Of the man who would be king And it’s time to tell the children That it’s not about the gold It’s not about the money Things that are bought and sold It’s time to tell the children They don’t mean a thing Like the rings upon the fingers Of the man who would be king And it’s time to tell the children That it’s not about the plan To see who is the richest Or the baddest in the land It’s time to tell the children The birds upon the wing Would never give their power To the man who would be king Never give their power To the man who would be king Don’t you realize When you see the clues Right before your eyes On the evening news Don’t you realize That the children know What the children see Is where the children go And it’s time to tell the children That it is about the heart It is about the people In this world we are a part It is about forgiving Those who stole the rings To put upon the fingers Of the man who would be king
9.
Well I drove across this nation Only yesterday There was no one at the station Just swipe your card and pay And all the funky hangs and juke joints In their smoke and neon haze Fade away like penny postcards From the roads of your younger days And you ride the wild horses Out into the sun Oh you ride the big dream horses Beyond the madness and the guns I will tell Maria To wait for you no more ‘Cause you ride the wild horses Like you’ve never done before I remember Mister Juarez And the dollar on his wall And the old men telling stories How she busted out her stall Now there’s just a broken trailer And the traces of her name In the rust and painted letters Oh Sweetheart On Parade I will tell Maria All the candles on her floor You ride the wild horses You ride the wild From the New York City concrete To the great Montana sky To the silver blue Pacific We are dreamers in disguise Oh and when my race is over Says the oldest living son I’m gonna find that old campaigner We’re gonna run run run And we’ll ride the wild horses You ride the wild horses You ride the wild horses Out into the sun
10.
Every time I see that Greyhound bus go rolling down the line Makes me wish I talked much more to you when we had all that time Still it's only wishing and I know it's nothing more So I'm never going back Never going back Never going back to Nashville anymore Oklahoma City yes I know that she won't treat me cruel Denver Colorado never made me feel like such a fool These are only cities But they're cities without you So I'm never going back Never going back Never going back to Nashville anymore Still it's only wishing and I know it's nothing more So I'm never going back Never going back Never going back to Nashville anymore
11.
If I could hide 'neath the wings Of the bluebird as she sings The six o'clock alarm would never ring But it rings and I rise Rub the sleep out of my eyes Shaving razor's old and it stings But cheer up, sleepy Jean Oh what can it mean To a daydream believer And a homecoming queen You once thought of me As a white knight on his steed Now you know how funky I can be And our good times start and end Without dollar one to spend But how much baby do we really need So cheer up sleepy Jean Oh what can it mean To a daydream believer And a homecoming queen Cheer up sleepy Jean Oh what can it mean To a daydream believer And a homecoming queen A homecoming queen A homecoming queen

about

"Mother Country" is dedicated to celebrating and expanding awareness of songwriter John Stewart’s contribution to American music.

Some may know him from the early Kingston Trio, others from pop songs like “Gold” and “Daydream Believer”, but his best work had little to do with commercial success. John Stewart captured an American essence in song much like Andrew Wyeth did with paint, or Walker Evans with a camera.

He brought to life a uniquely American landscape, giving us glimpses of real people facing great change while holding fast to the ideals of their mother country.

Created by fellow songwriter Dave Crossland, "Mother Country" seeks to bring Stewart’s legacy to greater awareness, and ensure its deserved place in America’s cultural narrative.

For more info or to buy physical CDs, please visit www.mothercountry.org


TWO BIOS AND A STORY...

Dave Crossland

With a voice that “instantly seduces on a pure sound level” (Cambridge Chronicle), Dave is based in LA and never far from his hard-loved 1949 Gibson J-45. The pre-release of his 6th CD, "Mother Country", garnered a “Los Angeles Best of 2014” from No Depression, and his previous studio album of original work, "Pearl", shared the Boston Herald’s list of top-10 albums with Springsteen and Neko Case. A timeless performer and well-seasoned on the indie circuit, Crossland has opened for Shawn Colvin, John Waite, and Kenny Loggins, and has shared the stage with Lindsey Buckingham, Rosanne Cash, and America, among others.

John Stewart

John Stewart was an original pioneer of Americana music, though you wouldn’t guess it from his career highlights – early member of the Kingston Trio; author of “Daydream Believer” by The Monkees; and 18-weeks in the top-10 charts with “Gold,” produced by Lindsey Buckingham with Stevie Nicks singing backup. He was an uncompromising artist, fascinated with stories of people – from tales passed down through old folk songs to late-night talk-radio sightings of aliens over Area 51. A major influence on many artists far more famous than himself, his unique voice captured an America waking to ever more rapid change.

The Story

Dave Crossland was first introduced to Stewart’s songs from music parties at his dad’s house as a kid. It was the genuine “folk process,” and how Crossland started learning guitar.

Years later, he met Stewart while opening for him at a music club near Boston. Stewart liked Crossland’s set, brought him on stage to play together, and weeks later flew Crossland to California to record Darwin’s Army – a collaboration that won “Pick of The Week” in Billboard Magazine. They toured together, and Stewart became Crossland’s musical mentor until Stewart’s passing in 2008.

This album is not meant as nostalgia or a tribute. John Stewart had a unique American point of view, still relevant today. This project seeks to bring that voice to life, cut through the red-state vs. blue-state noise, and shine some well-deserved light on a great American artist, John Stewart.


TRIVIA AND GAME-SHOW CHEAT SHEETS...

Dave Crossland

- Father was an Ohio politician, college professor, and clergyman.

- Declared American Studies as his major in college after listening to John Stewart’s California Bloodlines album.

- Wrote his senior thesis on Woody Guthrie.

- One of his dad’s students was killed in the Kent State shootings.

- Great (x9) grandson of musicians in the royal court of the Tudors.

- Moved to LA after performing in Stewart’s public memorial at Pepperdine University’s Smothers Brothers Theatre.

John Stewart

- Father was a Southern California horse trainer.

- 2nd gig with the Kingston Trio was at the Hollywood Bowl, sold out for two nights in a row.

- His banjo playing with the Trio inspired Lindsey Buckingham’s finger-picking guitar style.

- Was Bobby Kennedy’s ”campaign troubador” during the candidate’s ill-fated run for the presidency in 1968.

- His first solo album, California Bloodlines, ranked #36 in Rolling Stone’s “Top 200 Albums of All Time” in 1978.

credits

released May 11, 2015

Produced by Tom Polce.
Featuring:
Dave Crossland – vocals, acoustic guitar
Peter Adams – all keyboards
Bob Hawkins – electric guitar
Kimon Kirk – electric and acoustic bass
Tom Polce – drums, percussion, backing vocals

Engineered by Doug Tyo and Tom Polce.
Mixed by Tom Polce.
Mastered by Dave McNair at Dave McNair Mastering, Houston, TX.
Drum Techage & Studio Mojo by Dave Foy.
Graphic design by Dave Crossland.
Photos by Liz Linder.

All songs written by John Stewart, except “You Ride The Wild Horses” by Dave Crossland.

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Dave Crossland Los Angeles, California

Dave Crossland and his hard-loved '49 Gibson J-45 are based in LA. No Depression gave Mother Country a “Los Angeles Best of 2014” and the Boston Herald gave his "Pearl" CD a top-10 album spot with Springsteen and Neko Case. Well-seasoned on the indie circuit, Crossland has supported / shared stages with Shawn Colvin, John Waite, Kenny Loggins, Lindsey Buckingham, Rosanne Cash, America, and more... ... more

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